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Correspondence
Agreements
Room Layout
Design Notes
Drafts
Final Studies
Documenting
References
Schedule |
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Content to come.
- Pictures
- The Room:
- Perspective Model:
- Other:
- Process
- Prep
- Scrape paint and wallpaper...
- Remove loose and damaged plaster...
- Patch with drywall/sheetrock/wallboard...
- Tape and spackle with joint compound...
- Wash mildewed plaster with dilute bleach...
- Wash ceiling with degreaser, rinse...
- Fill holes, cracks, and uneven areas - sand - remove sanding
dust...
- Spot prime ('Gripper' latex primer) entire perimeter, all
stains, new plaster, and wallboard...
- Test paint adhesion...
- One complete coat of acrylic matte medium (clear)...
- One complete coat of gesso (white, untinted)...
- Fill previously unseen dings with patching plaster - sand
- prime...
- Test paint adhesion...
- Perimeter base
- Lay out perimeter using laser level - mask with blue tape...
- Perimeter base coat - tinted gesso
- Perimeter first patina coat (rag scumble) - acrylic glaze
- Perimeter second patina coat (brush stipple) - acrylic glaze
- Lay out paneling contours in 2H pencil...
- Paneling execution (in progress)
- mid-shade (burnt umber glaze - 1-3 coats)
- shadow-shade (burnt umber glaze)
hilite-shade (white glaze - 1-3 coats)
- reflected hilites (white glaze)
- Map panelling insets
- Mask perimeter with blue tape
- Cover background with 3/4 Swedish blue, 1/8 Brilliant blue,
1/8 matte medium
- Before dry, scumble rag texture of 1/2 Swedish blue, 1/2 matte
medium
- Final scumble rag over-texture of same glaze with touch of
Mars black
- Edge shadowing
- "Paper" effect rendering
- Peeling edges
- Tears
- Water stains
- Fading
- Creases, folds
- (Some of the above done before, and some after, the actual
panel art rendering)
- Dusk sky
- Apply sky glazes
- Map out perspective for outer frame
- Block out skylight 'cartoon'
- Skylight
- Upper walls and shelf contents
- Leading edge of shelf
- Final touchup for visual effects and lighting
- Final glaze and varnish
- Expenses
- Press
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